17 April 2016
Mulholland - North Country
Seems that some people are reading the blog - thank you one and all. After I posted my review of 'Ballad of Bones' EP by Driven Serious (cleverly linked here), Mulholland got in touch. Now I know both of these band are going to be playing the Folkish Explosion gig in Newcastle upon Tyne on May 7th 2016 (link to the Facebook page for the gig here), so I guess there was a natural reason for them getting in touch. But enough about promoting a gig I am not involved in and such things, time to look at Mulholland themselves. Mulholland are a husband/wife duo Stan Smith and Ann Dunford who are based in York, Yorkshire, UK; this is their debut album which was released on Good Friday, 2016. It is an album which the band state has been influenced by the Byrds, Bob Dylan, Laurel Canyon and Jason Isbell, with the album being the result of six months of work with Vinnie Whitehead (of Vinnie & The Stars). It is a while since I have reviewed an album from this genre, but I am curious as to how it will sound - time to find out what 'North Country' sounds like......
The album starts with "Cold Wind" which is a gentle ode to wanderlust that is not satisfied due to staying in one location which is close to the heart, it is a gentle nature at its heart as it plucks at your heartstrings as well as your soul. The playing is expertly crafted and it is a subtle opening to the album, it does not explode to life straight away but it does not start off sluggish or boring - it is a good opening for the alternative country album. The second song on this album is called "Black Feathers" which reminds me of a band called the Red Letters, it is another gentle number that focuses on the story with the instruments keeping the song going, but in the background and not intrusive at all. Whilst it might seem a little too quit, it speaks more with a little than some bands do with a thousand notes. "My Wasted Heart" is a travelling love song, there is a journey at the centre of this song (be it emotional or physical) as the music moves with the spirit of freedom that is the wish of most people. It is the first song that has percussion on the album, a gentle pattern which gets the foot tapping and the sound of the banjo drifts over the audience, it is a song that talks about the journey and the yearning to reach a loved one (and by default, home). It is a beautiful number; it has a homely feeling that thrives in this sort of music, making the audience feel at ease and making them feel like they are on the journey as well. The halfway point is marked with “So Sorry Blues (Revisited)”, this song reminds me a bit of Bob Dylan from the beginning with a hint of “Like A Rolling Stone” to the music. This tale of a poisoned relationship is another number that is very gentle on the ears and soul, it is an easy song to like and I also feel it might be one that drifts past people as well. For me, it is a decent number but not the strongest song from the band on this album.
“Shifting Sands” kicks off the second half of this album with a tune about living on the coast and missing a loved one. It is a song that has been done so many times before hand, it will be done a thousand times more and a few more times after we have left this mortal plain. I like this song, despite it not being to my usual taste; I think it is due to the fact that it is such a simple and beautiful piece of music that it shines like a star on a dark night. “Summertime” is a song about that time of year when the days are warm, everything is brighter and the world seems so good. But the summertime is also a place in your heart, that is shared with a loved one and that emotional attachment can make the sun appear. It is a good song with a lovely feeling on home, but it also feels like it needs a little bit more to some parts of the song to these ears. However, that is just a personal taste and does not take away from this song and the beautiful sentiment behind the lyrics. The penultimate song of the album is called “Don’t Let Us Get Sick” which is not on any of the streaming services for some reason, it is a number that deals with the frailty of the world, enjoying the company you are with and hoping that things will change. It is a fine song, one of the best in my opinion as it warms the heart with the music that speaks through the ages. I cannot help but enjoy it, with that subtle playing and feeling that you are home. What is there not to like with this song? Ending the album is “Highway 101”, which bring the album to a stomping end with this song about travelling the opening roads. It is a great song for me, it sounds like the party is just being and not comes to a finish. It is my favourite song of the record and end it on such a high point.
Mulholland have created a subtle album, a gentle work that is as gentle as a breeze and as welcome as the warmth when you come out of the cold. It wears its influences on its sleeve, but there is something more going on here and the talent shines through. It might only be eight songs long, but it is the right length to me; there are a few moments that I would have personally tweaked, but I am not the musician here and for what it is worth – I reckon this is a very good release which should do well for fans of country and alternative folk.
7.5 out of ten – This is good and worth checking out.
Top track – Highway 101
You can purchase North Country on Amazon here.
You can visit the Mulholland website here (you can also purchase the album on this website as well).
You can follow the activities of Mulholland on Facebook here.
You can stream North Country (minus "Don't Let Us Get Sick") on Spotify here.
You can stream North Country (minus "Don't Let Us Get Sick") on Deezer here.
You can stream North Country (minus "Don't Let Us Get Sick") on Tidal here.
- ► 2017 (110)
- Rob Zombie - The Electric Warlock Acid Witch Satan...
- Discharge - End Of Days
- State of the Blog Address - Message from the Edito...
- Mulholland - North Country
- Venom - Prime Evil
- Seth Elton's Music - Mad Monk EP
- Mantar - Ode to the Flame
- Deftones - Gore
- The Wonder Stuff - 30 Goes Around The Sun
- James - Girl At The End of The World
- Hinds - Leave Me Alone
- Gwen Stefani - This Is What The Truth Feels Like
- The Cult - Hidden City
- Weezer - Weezer (The White Album)
- Pet Shop Boys - Super
- The Joy Formidable - Hitch
- ▼ April (16)
- ► 2015 (267)
- ► 2014 (309)
- ► 2013 (499)
Has it really been that long ago since I started this blog? The first post (cleverly linked here) was posted on the 2nd December (o...
Seems like an apt image for the year (the other was the Grim Reaper laughing), 2016 has been a bit of a shit year in some ways and in oth...
As regular visitors for this page will know, the best percentage of the team enjoy the songs of Ginger Wildheart; the man has made som...
Right, Album Of The Year time then. It's something I pour far too much energy into and have been carefully adjusting my list all year ...
This is a review of the first Country/Folk album from Ginger Wildheart, this album has been released via Pledgemusic once again and is...
Link 1: Blabbermouth announcing the release of Metal Resistance. Link 2: Metal Injection discussing the release of Metal Resistance ...
Until two months ago, I had never heard of the Sleaford Mods. Like ships in the night, they had passed me by as I watch/listened to othe...
If it was not for the legend that is Luke Dunmore, I would not have ever heard of The Darkest of the Hillside Thickets! My ex-partner i...
Life of Agony can never be accused of taking the easy route, that is something that can be said for them. It could be the fact that the...
Sometimes albums come out of nowhere and for me this was one I was not expecting at all. Future Of The Left are a post hardcore band f...